Hi all! I’m back after a hectic semester of teaching at three different universities. It is always really rewarding but leaves little time for blog posts. I thought though that I’d jump online to plug a couple of recent publications on various aspects of urban history that I’ve had come out over the last year.
Late last year saw my book chapter in a collected edition released after a couple of years in the pipeline. International Migrations in the Victorian Erawas edited by Marie Ruiz and published by Brill. It features some fabulous articles by scholars on migration and the Victorian period from all over the world.
My chapter, ‘Transnationalism, the Urban & Migration in the Victorian Era: The Lives of Henry & Sophia Morwitch’ (Chapter Six, pages 156–186), traces the lives of the owners of the two Brisbane shopping arcades, the Royal Exhibition Arcade and the Grand Arcade, which I’ve written about on the blog previously.
The chapter looks at the various migrations throughout the British Empire (and beyond) that Henry and Sophia made over a fifty-year period. It examines their identities as both migrants and citizens of the different places within which they lived and how they worked to construct these within a variety of urban communities.
I’d love to do a longer post on them soon looking at their lives and experiences – particularly as I’ve found quite a lot more out about Sophia since I wrote this book chapter three years ago. So stay tuned. Meanwhile, enjoy reading my chapter and several others from the book in Google Books.
The second, more recent, publication, released in April this year, was an article written with Professor Andy May at University of Melbourne and George Vanags (MA2011) – ‘Returning to the city: World War One, the repatriation of soldiers and the shaping of Melbourne’. This was written for a special issue of History Australia ‘Coming Home’,(Vol. 16 No. 1), which focused on life after the end of World War One.
Our article examined the return of soldiers to Melbourne both during and after the war and how they assisted in shaping the postwar city.
In Melbourne, a city in which World War One permeated everyday life, programs for the reintegration of soldiers into the community characterised the home front and continued after war’s end. This article explores the manifestation of the returned soldier, utilising the city as a particular and novel frame to discuss the complex place of these men returning to a changing urban landscape that needed constant definition and renegotiation. It examines how the return of these men reshaped the city itself and contributes to our understanding of what it meant to be soldier, as well as a citizen, in the post-war period. (‘Returning to the City’, 132)
Although this is a little removed from my PhD thesis, I’ve been exploring the impact of war on the city of Melbourne for several years in a number of related projects with the Melbourne History Workshop. This has included the online exhibition The Everyday War, which displays of hundreds of digitised records from the City of Melbourne, held by Public Record Office Victoria, that show the way that the war was intertwined with the everyday life of the city.
I’ll also be exploring the idea of the war and its relevance to the arcades in my thesis a little. It’s interesting to note how much urban spaces were layered with activities that were related to World War One, including fundraising efforts, parades for departing and returned soldiers, patriotic imagery, and even anti-war protests. The arcades in a number of cities were intertwined with these events and experiences of war and I’ve got a wealth of information there to share at a later date.
Previously I’ve given an outline of the nineteenth-century shopping arcades built in both Victoria and Sydney. By the mid-1870s, five shopping arcades had been built in Victoria, the most recent being the Victoria Arcade & Academy of Music on Bourke Street (1876). Although Sydney had been promised an arcade as early as 1859 (Illawarra Mercury, 24 March 1859, 2), one was not actually built until 1880.
While it is probably not a surprise to many that the first arcades in the Australian colonies were built in the booming goldrush metropolis of Melbourne, the second city where they were constructed is probably more of a revelation. Today we move further north to Queensland, to briefly touch on the three arcades built there in the nineteenth-century, and another that just sneaks into my research end date of 1901.
It was in the small colonial capital of Brisbane that one entrepreneurial man built both of the first arcades in Queensland – the Royal Exhibition Arcade (1877) and the Grand Arcade (1885) both within a few doors of each other on Queen Street, the city’s main shopping thoroughfare. The story of these arcades is inseparable from the life of their owners, Henry and Louisa Morwitch, about whose lives I’ve recently written a book chapter, and about whom I will write more in another post.
The other two arcades that were built in Queensland were in seemingly unlikely locations but, at the time of their construction, represented the progress and modernity of two regional towns that were booming, both economically and in terms of population.
Firstly, the Royal Arcade was constructed in Charters Towers, nearly 1400 km from Brisbane, in the mining country of Far North Queensland, by businessman Alexander Malcolm and designed by Sydney architect Mark Cooper Day. In 1888 the town was rapidly expanding, with a population drawn by lure of new gold discoveries (and displacing the traditional owners, the Gudjal people).
Although it was never finished (it still is missing it’s back half!) it is in fact, the only of the four Queensland arcades that I’m studying that still exists. Because it housed the Charters Towers Stock Exchange for a number of years, it’s now known as the Stock Exchange Arcade and is again operating as an arcade, run by the National Trust of Queensland.
The final arcade in Queensland that I will look at is the Town Hall Arcade in Townsville, which was built by Townsville’s city council as part of a large development known as the Market Reserve Buildings, which included a Town Hall, Arcade, Theatre Royal and Central Hotel. The theatre was completed in 1900 and the complex was opened by Lord Hopetoun in September the next year (who raised the new flag of the federated Australia above it).
It was a magnificent example of very early Federation architecture and must have been quite a site to behold. This amazing collection of buildings (see an image here) was partly demolished in 1973 and tragically destroyed by fire in 1978. Today, the current municipal buildings, a typical example of 1980s civic architecture, stand in its place (Townsville Bulletin, 15 February 2015).
I have finally decided that I really have to do something with this blog! Let’s start with baby steps!
#ArtsHack 2013 was a great series of workshops organised for arts students by the University of Melbourne last year. ITS Research at Uni does the great job of ’empower[ing] researchers to do great things with IT.’
You can do numerous extremely complex maps in TileMill and my group did a more simple one that pinpointed institutions that displayed antiquities in the city of Melbourne. My own test version was even simpler and, for the purposes of my thesis, I wanted to do a map of locations of nineteenth-century shopping arcades in Australia.
It was very fun to tinker with it but I am not sure for my purpose that I wouldn’t simply be just as happy creating something in Photoshop, with which I am far more familiar. But if you are doing extremely complex mapping projects, I think TileMill – just one of the many mapping programs around – could be great.
Anyway – here is my humble little map which will give you a great idea of where the Fashionable Promenades were built in 1800s Australia! Never fear … in the next few days I will start giving you some lists of what and where they were!